Inspired by Italo Calvino’s ‘Le Città Invisibili’,
This exhibition unfolds within a domestic space where memory, emotion, and imagination intertwine.
Like the fantastical cities described by Marco Polo, the home here is not static.
It is a dynamic space where art and design objects coexist as co-authors of an affective experience.
In our exhibition, artworks and design objects engage in an intimate conversation.
Drawing inspirations from Neuroaesthetics, the exhibition considers how forms, gesture, and physical presence can bypass rationality to activate our embodied memory, generating a field of sensory resonance within the viewer.
When you step into the exhibition, you also step into your own existence. The room here is not static; it evolves with your presence.
As you enter, you alter the space — and in turn, the space reshapes your memory.
PART 1
PART 2
The artworks here are not simply to be viewed—they are felt.
The domestic space becomes a neuroplastic archive, where our memory is not stored statically but continually rewritten through encounters with objects and gestures.
